Aug. 14, 2006
RUTHERFORD ON FILM: ‘The Night Listener’: When Truth and Fiction Merge, How
Do You Learn What’s Real?
By Tony Rutherford
Huntington News Network Critic
Huntington, WV (HNN) -- A bummed out story teller with a national radio
show receives a manuscript from a friend that apparently tells a heart
wrenching story of how a young teen handled severe abuse. According to the
publisher the 14-year-old boy has AIDS, has a new mom, and still hides from
his dad.
“He’s a fan, I gave him your number,” the publisher says.
Grappling with his own crumbling relationships, Gabriel (Robin Williams) has
lost both his confidence and creativity. They are the first things to go
when confronted by a major depressive event. The work of the young man
writing about men and women ‘playing’ in the basement resonates with power.
He relents and begins speaking by phone with the young Wisconsin author.
After a cancelled invitation for a Christmas visit, Gabriel starts
questioning the boy’s credibility. So do the publishers. They decide not to
publish the book. Shortly thereafter, the Wisconsin phone number is
disconnected.
Partly motivated by a journalistic sense to verify or discredit the
manuscript, Gabriel sets off to the small Wisconsin city looking for Pete
(Rory Culkin) and his mom, Donna Logand (Toni Collette ). On the other hand,
he has connected emotionally with a voice on the opposite end of a telephone
line, ironically, in much the same manner as listeners connect with
celebrities like him.
Poised as a mysteriously haunting quest for a ‘missing person,’ “The Night
Listener” spins a delicate yarn straight from oddities that instill reality
television, which, incidentally, had its roots with the ordinary Americans
spilling their guts and often throwing fists or shoes in front of ‘live’
audiences on therapeutic talk shows (i.e. “Sally,” “Geraldo,” “Jerry
Springer”).
Williams, whose character is also battling family crises, falls cautiously
into the quest to imprint credibility on the young author’s work. Only after
he arrives in Wisconsin, do we see the degree to which he has bonded with
the troubled boy. As door slam in his face, the tenacious Williams plods
forward even as the personal stakes increase.
“The Night Listener” depicts how easily a sensitive, heart on sleeve person
can succumb to emotive manipulation, where, ironically, those in the
‘artistic’ professions often lie. The film maintains an evasiveness
favorably subjecting it to numerous interpretations which allow a seemingly
nondescript interaction to reach borderlines separating obsession,
objectiveness, and simply finding ‘the truth.’